A View from the Easel Hyperallergic Elena Berriolo, New York
The Enchantment of the Sewing Machine, Elena Berriolo Article by Tommaso Cartia on i-Italy
A Book as a Bridge among Time and Space. an interactive performance on the 1 train from Houston Street Station to Cortland Park station in the Bronx.It is an act of resistance to the repeal of Obamacare. The average lifespan of a child born in the Greenwich Village is 5 to 8 years longer than the life of a child from the Bronx, By sewin
June 2017 “Matisse Sewing” published in Tether
April 29th 2017 La Notte featured in the Museum Angewandte Kunst in Frankfurt show “172 New Book Objects”
March 3rd 2017 Interview by David Brody on Art Critical
February 14th 2017 Illegal Fashion Show, White Box Gallery
February 5th 2017 A Book as a Bridge Among Diversity
January 20th 2017 A Book as a Pink Line
December 20th 2016 PCA (Paris College of Arts) Chair of Liberal Studies, Barbara Montefalcone publishes a paper about New york based artist Elena Berriolo
December 18th A Book as a Bridge across the Mexican border.
November 2016 May be I was a Bottle featured in Lunch Ticket
June 2016 The Sewing Machine Text in Lunch Ticket
June 22nd 2016 Interview with Ysabelle Cheung for Creator’s Project
June 22nd 2016 at the New York Transit Museum, Platforms The Making of a Book with Sewing Machine in the New York City Subway
An embroidered accordion book created with a sewing machine while riding the subway on a 26-mile journey from the Bronx to Wall Street and back in 2015.
December 4th 2015 Feed Me The Line, a performance with sewing machine and poetry in collaboration with Steve Dalachinsky at The Center For Book Arts.
On November 11th and 23rd 2015, as part of the Center For Book Arts show: Why didn’t They? A Book As a Bridge, a performance with sewing machine in the New York City Subway.
Featured Artist The Center For Book Arts Oct.2nd-Dec 12th 2015 “Why didn’t They?”
Publication of Why Didn’t They? A 25 copies book, Milanville Editions October 2015.
“Sewing Music Into Visual Art: The Sound of Silence.” January 22nd Shirley Fiterman Art Center 81 Barclay St, NYC. A performance by Elena Berriolo in collaboration with Edith Hirshtal and Rosi Hertlein with Piano, Violin and Sewing machine.
“Paper Reveries” opening on Dec 10th 2014 from 6:00 to 8:00 pm Shirley Fiterman Art Center 81 Barclay St, NYC. Tribeca Trib ” A new Show at BMCC.
FASCINATION: A collaboration between Elena Berriolo and Ko Un October 22 – December 20, 2014 Art Projects International 434 Greenwich Street, Ground Floor New York, New York, 10013
Invited to [Dis]embodied Poetics Conference at Naropa University Boulder, CO for the panel: – Sewing is Writing is Body is Sewing. Oct.12 2014. Rachel May, Jennifer Tamayo, Jill Magi, Jen Hofer, Elena Berriolo, Jan Johnson.
Twentieth Anniversary Exhibition Pierogi XX opening September 5th 7-10:00 pm
Vito Schnabel and Bruce High quality Art Foundation present The Last Brucennial.2014
Elena Berriolo’s Perforation of the Fibonacci Sequence in a Book January 4th 2014
Article about “Transcription of Piero Manzoni’s Infinite Line with Sewing Machine“ in Berlin on August 6th 2013 Die Unendliche Linie Transkribiert (Transcription of the infinite line) Taz.de
“Elena Berriolo: 3-Dimensional Line” on “Two Coats of Paint” June 7 2013 about Feed Me The Line a performance with sewing machine and poetry by Sharon Buttler in collaboration with Mónica De La Torre, on May 30th 2013 at 7:00 pm at Susan Eley Fine Art.
Paper Goods – Susan Eley Fine Arts, New York, curated by Kara L. Rooney May 15-June 22, 2013 Opening reception May 15th 6-8 pm.
Varför använde inte Piero Manzoni min symaskin? By Elena Berriolo , translated by Claes Tellvid on tsnoK Magazine.
“Why didn’t Lucio Fontana use my sewing machine,” The Brooklyn Rail, July-August, 2012. By Elena Berriolo
“Ma Perche’ Lucio Fontana non ha usato La mia macchina da cucire?” Exibart October 2012. By Elena Berriolo
Conference at the INHA in Paris, Barbara MONTEFALCONE, “Les divers temps des livres d’Elena Berriolo” November 9th 2012
Excerpts from” Two Sided Concerto” a performance with sewing Machine and piano in collaboration with pianist Edith Hirshtal May 5th 2012 (Video).
“Reverse sheet music” review on Art In America by Erica Knerr May 16th 2012
Hanji Metamorphoses – 2012 Hanji Project New York Participant artists, Elena Berriolo
Elena Berriolo BOMB 116/Summer 2011 portfolio: from Various Music For A While
“Turbolenze” Centro Pecci 2012 (video)
“Turbolenze” Museo Pecci di Milano February 19th 2012
Markers I / Venice Biennale, 2001 participant artists: Elena Berriolo
48th Venice Biennale, June 10th November 7th 1999, Oreste alla Biennale, Elena Berriolo
artnet.com Magazine Reviews – Elena Berriolo at Mary Barone 1998
Lacanian Ink 1998 ” It endlessly produces folds” Elena Berriolo
Elena Berriolo and Roland Flexner guest editors, New Observation 110 “art In the Folds” 1996
Plexus 1994 Elena Berriolo
1992 CARE/OF Milano Italy Elena Berriolo
1992 Frieze magazine issue 3 “Don’t Look Now” Anthony Iannacci spoke with Elena Berriolo…