Transcription of Piero Manzoni’s Infinite Line with Sewing Machine

Between 1959 and 1961, Piero Manzoni realized his Infinite Line.  Some sections of the Infinite Line were realized by applying a paintbrush to a rotating roll of paper. Since one of his greatest problems was finding a way to produce an uninterrupted line of a great length, he used a newspaper printer and other mechanical devices to achieve his goal; however, when the roll of paper was exhausted, he had to lift his brush and start again with another roll. His long-term project aimed to produce a line as long as the Prime Meridian of the world, the Greenwich Mean Time as a way to include both concepts of time and space in this work.

Since Manzoni invested a lot of thinking toward finding a way to produce his line, I am wondering why he did not consider making it with a sewing machine. The process of tracing his infinite line would have been certainly much simpler than with a newspaper printer and a paintbrush.

Although the needle of the sewing machine goes up and down, the machine itself remains immobile; the line is produced by pushing paper or canvas under the needle. If Manzoni had used a sewing machine, it would have linked more than one support, solving many of his problems at once, therefore allowing him to make a line as long as he liked. Not only that, but as I stated in my article in The Brooklyn Rail  “Why didn’t Lucio Fontana use my sewing machine?” the sewing machine makes it possible to produce a real three-dimensional line with a top and a bottom that may be moved through space.

January 26, 2013, Kunsthalle Galapagos in Dumbo (Brooklyn, New York). “Transcription of Piero Manzoni’s Infinite Line with Sewing Machine”

July 11 2013 Reh Kunst, TRD, Berlin, Germany. “Transcription of Piero Manzoni’s Infinite Line with Sewing Machine”